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Another brick in globalization: ISO 26000

The event went unnoticed, but a large new brick has been added to the building that has made our globalization: the ISO 26000 standard deals with social responsibility organizations. An important text that deserves to be analyzed.




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editions of Musardine presented by Claude Bard

Quand was founded your publishing and why giving him that name?

Musardine is the name we gave, in the eighteenth century, the prostitutes who plied their trade on foot, walking in mooning ... We are their ancestors, our customers and leaving tantalizing hope of disorder by revealing our blankets ... The house was founded in 1996. Next year it will celebrate its 15 years, that is to say its sexual consent. Count on us to celebrate the event.

Why was this house?

order not to let it go out the torch of French erotic book, in other words an ancient tradition of our cultural heritage.

What is your editorial?

She holds in one word: versatility! Literature, essays, guides, comic books, photos ... whatever comes to sexuality, the body and the erotic interests the Musardine.

Can you tell us about your catalog?

Musardine The publications are divided into several collections: literature in our saucy collection Readings love, founded by Jean-Jacques Pauvert, or texts of classical authors (Musset, Mac Orlan Louys Sade ...) alongside contemporary authors (including Esparbec, our national glory!) testing, more pointed and directed "humanities" in our collection "The Catcher Body "of comics under the label Dynamite; of" fine book "of photos, not to mention the smaller guides, fun and uninhibited, the series" Dare ... " (Free lesbian porn, sex toy Dare, Dare to Love rounds ...) that have particularly helped to publicize the name of the Musardine

What's your news?

Female sexuality: A to Z (the last book of Ovid, relevant and greedy), Sade and the film (book scholar and illustrated by Jacques Zimmer on the character of Sade in the film), Defence hair (caustic test Stéphane Rose on the dictatorship of intimate hair removal), Portrait a young lord god of harvest (a collection of 100% new novel by Eric Jourdan, cursed the author of French literature), Nude Yoga (a beautiful photo book of yoga postures performed in the most simple apparatus ...) and other titles that reflect the eclecticism we pride ourselves!

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Cut public spending or not?

Two strategies currently stand: that of Europeans, first the British, which consist cut in public spending to return as quickly as possible to a balanced budget, the Americans who prefer to increase public spending to overcome the crisis. Behind these objections, there is a different vision of the near future (or no return of the crisis) and differences in macro-economic. The point about these differences.

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French Saying Encouragement

Editions de l'Arbre Avenger by David Vincent. Karine

Bartleby: When was your home based publishing and why giving him that name?

David Vincent : Tree avenger celebrates seven or eight years (we do not know too so we moved quickly to find a name suitable for both protagonists history) should be checked at the prefecture creation date of the Association Hare! which is the original name of small business. The first book is in any case published in the summer of 2003 and was decked brand Tree avenger. This name can lead to many interpretations we liked because it keeps a satirical and earthy side that forces us to never forget our original plan, his desire to root smoothly without renouncing to do with a touch of insolence. The name itself comes from a micro Cartoon Vincent Vanoli The tree called ... avenger.

Why was this house?

is primarily and essentially the meeting of two personalities who have resolved to combine their two inclinations to dream a publishing project to be both modest and strong. One is a graphic designer and imagine it's more exciting to put his talent to his own work than the other, the second is a bookseller who noted with sadness that some books were missing and that little effort could revive them. United on the edge of a hole they imagined to be an acorn grow to see if he could become an oak tree (well we're not there yet ...)

What is your editorial?

The refusal of the conventional, this literature ripolinée which one flatters readers who may balk never drink clichés and drafts, encouraged us to visit the cross roads, dark and cruel, funny or morbid, insane or disturbing in the constant and terribly out of fashion to emphasize the primacy of style of writing. Subversion, more subtle, is not always cry in politics, she can enroll in the literary works in which the value becomes a how to refuse the blandness.

Can you tell us about your catalog?

Our catalog is based on collections in which their "managers", in agreement with us, choose the texts in their field who have our tone and our requirement : The Alembic of ' Eric Dussert favors rare, lost, discarded, distilled the long periods without worrying about; invisible forest area is concerned Hispanic under the leadership of Robert AMUTIO who likes to walk the path backwards, identifying talent and original too vehement an unexplored territory; Selva selvaggia of Lise Chapuis focuses on the Italian area with greater sensitivity acute than his comrades, a desire to emphasize the troubled world without sacrificing sensitivity. The rest of the catalog of books that are enriched regrets the exhaustion of novels that play on the register of anticipation without sacrificing style often absent from this kind of literature, texts of authors already identified and for which we feed a certain admiration, not too concerned, because of our lack of time, documents received by mail. The constant of our books is the desire to enroll in a line graph that makes visible the proximity of old and contemporary authors, taking advantage of a modernity that validates our belief that it's not the years are " age "of a book: a centenary is sometimes much more alive than dead on the last entry, a classic sometimes much more to tell us that a modern flageollant and without style. In a colored banner with illustrators that do not play the card of the old-fashioned (we reject the idea that we should skate books to give them value), we bring together the world who refuse nostalgic goodwill for us without interest.

What's your news?

Two contemporary novels, which is quite rare among us and that we would develop if we were not so difficult: The balls of God Didier Pourquié , perfectly conducted a fantasy novel that combines the and philosophical adventure story; Towards dust of Jean-Louis Bailly a novel of precision and humor that delight us, two points of view on a man of genius and the genius of the man when death succeeds than life. In our series 'classic' reissues of a small Toulet our debut and a collection of Leon Bloy pariah and excessive. To finish the year an unknown science fiction novel and poorly understood, Falling into nothingness of Marc Wersinger , strange variation on the theme of stricture.

In January we meet for the third year autofiction chevillardien, text rough and biting an Argentinean author: Plop of Rafael Pinedo and in February the first novel Reunion, anti -Slavery: The chestnuts of Houat .

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equality, poverty conceptual

The SP has just released the results of its agreement on substantive equality, disappointing document, bric a brac tote suggesting that the Socialists have no clear idea of what they mean by equality and have not, either, a concrete analysis of rising inequality. Injury while contemporary economic theory offers multiple analysis that would allow them to expand their proposals and give it meaning.



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Cnudde presents the Vampire Active

When was your home based publishing and why giving him that name?

The Vampire Active is a publishing associative publisher account that actually emerged in late 2007.

Its name, which originally refers to the text-object voluntarily unclassifiable Ghérasim Luca The Vampire passive is above all a wink seconded to the book "The Flight of the Vampire" by Michel Tournier we scored Hugh and me at a time in our lives that drive and said in his opening pages that " p ublished a book is to make a release of vampires. Because a book is a bird dry, bloodless, eager warmth, and when it flies, it is looking for a reader, being of flesh and blood, on which he can ask in order to inflate his life and his dreams. Thus the book becomes what it is meant to be: a living work. "

Why was this house?

It is primarily the story of a meeting of lovers of words and the book as a necessary presence to feel alive.

At one point, we decided to give life to what we would find more often library! We first completely revised the guidelines of what the Vampire assets before the arrival of Hugh and myself in the association, with priority criteria requirement strengths that have unfortunately been present when some employees from , including the poet and painter Roland Dauxois, founder of the original structure in 2005 that made the choice to resign from his position as chairman and the association in September 2009 because implied parallel in other personal projects and because it no longer recognized on an adventure that was transformed, moving away from the concept Departure: to promote poetry and the emergence of young talent. As we were novices (and even today, although we have some experience, there is still much, much to learn ...) and especially as we had no valid text went to press, we waited in waiting for the "rare gem" by creating an engaging literary blog commentary, analysis on the works by which we were specifically arrested. We also thought that about our readings, which we were interested in the literary field was an interesting way to sit a little credit, and so we bring manuscripts ... And it worked!

Once the editorial clearly defined, we said it was also necessary that we keep control over the entire process of processing and manufacturing works to be certain of objects-books we had clearly imagined. After the selection of typescripts, we take care of the correction in close collaboration with the author, work layout, implementation blankets, promotion of books, distribution and communication tools ... Today, the only operation that we do not realize is printing. At the same time, we have researched Charvet Printers in Lyon which carries a great job and really takes the time to listen ... (and god knows how we are demanding and talkative both ... ") C ' is a real pleasure to see every week the book take shape and exist ... finally

We are volunteers in our case and now Vampire Hugh and I often say that we have, certainly, a job that makes us eat but there is another, often nocturnal, feeding us ...

What is your editorial?

Contrary to what might suggest the name of the house, we are not specialized in horror or dread. This pleases us because we claim to confuse the difference in what we publish ... but lag connotations, benchmarks and asleep reassuring commonly accepted accepted for a particular genre and we consider enclosing. Literature must be able to breathe and give life to those who receive it and it can not do if it is confined in strict patterns and thus sclerosing. Obviously this requires readers and writers who wish to send us their texts, to scratch a little further than the end of the name of the house ...

More broadly, I would say that we are driven by the desire to defend entries without demanding that they be provided elitist, irrelevant entries, even rebellious, whether contemporary or historical, entries that are party to break the shackles of gender, who dare to place entries in the themes approaching it from a new angle; entries were put into perspective the act of literary creation and the act of reading, writings that are intended to reflect without setting a single goal in itself. Entries can finally consider the reader except as a passive reception center ...

Can you tell us about your catalog?

We chose to offer three collections that actually have all the same purpose: to propose legislation that put the literature in question, who offer voice who do not "cross" the reader but which remain in him, and deploy it / convert it: The collection Insurgencies hosts texts jostle or move him "differently" are two titles currently in the following: § iamoises Patrick Dao-Mulching and Old at the Rosebush Lionel Edward Martin. The collection

Rituals Crimson seeks to rediscover the texts "strippers" in limbo since republished or more several years. It Petrus Borel, stops at Lycanthropolis , which opened Rituals last June. Finally

collection Talks is supposed to receive reflections on these acts of reading and writing I mentioned just before.

What's your news?

Our third title released on 11 October. This is a text of Lionel Edward Martin titled The Old at the Rosebush who appropriates and transforms so many absolutely amazing elements of mythology Personal of the writer and that is incredibly rich. The language is crafted with a rare brilliance, is literally set to music. This literary object unidentified cues disrupts gender in the sense that we are facing not a work that goes far beyond the novel ...

Moreover, at this moment, we work closely with a young association of tour guides , Artis Mirabilis around a series of guided tours at the Museum of Fine Arts in Lyon, which makes it possible to echo a dozen works from the collections of the institution and loud voices from some texts of Petrus Borel. The next appointments to note are the 16/10 and 23/11.

Finally, a title is to be published in April 2011: a small treaty shifted literature (including the author dear Bartleby, should not be unknown to you ...) and we are all in parallel with the process of On the one hand to dig another author forgot the other hand we wonder about the nineteenth edition of a text found in bookstores today ... We will in any case something amazing to offer for October 2011!

responses Karine Cnudde but prepared in advance with Hugh Béesau.

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editions è ® e by Eric Arlix

Bartleby: When was your home based publishing and why giving him that name?

Eric Arlix: Association Act 1901 in 2004 and in 2006 Sarl.
Working on an era, a period.

Why was this house?

To have an effective and independent

What is your editorial?

Platform editorial responding to the needs both literary, artistic and intellectual communities at a time of international affairs research, publishing è ® e develop a general catalog consists of original projects, writings singular of translations and books of historical or contemporary.

Can you tell us about your catalog?

a general catalog and critic, between literature, social sciences, art. What

is your news?

The launch of the collection e ® Literature strange co-directed by Emily Rate and Nathalie Peronny . The first title Facts of Vanessa Place is released in late August 2010 and the next title bloody rites of the bourgeoisie Stewart Home is scheduled for March 2011. This is a new direction, demanding the opening of a singular voice and untranslated in France. The collection

Seekers era to acquire a seventh title Workshop of the invisible, learning to philosophize with Plato of Arnaud Macé comes out Nov. 18.

Review TINA is back in a new series in February 2011 (change of format, pagination, periodicity) with an editorial board with variable geometry adapted to each issue. We begin

also work with the philosopher Frederic Neyrat , two books are published next year, Terrorism, a concept captured in April 2011 and Clinamen in November 2011.

In May 2011 published a collective work Bestiary remarkable animal, Dolly the sheep cloned the cat Hello Kitty , 50 stories on how the world is 50 entries (one per animal) mixing fiction and theory, written by researchers, writers, philosophers, anthropologists, journalists ...

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Brigitte Bouchard presents The Allusifs

Bartleby: When was your home based publishing and why giving him that name?

Brigitte Bouchard: The publishing house was founded in 2001. The name Allusifs refers to the genre that the house is putting forward.

Why was this house?

I founded my publishing house by a little frustration ... and a lot of momentum. I was tired of the ghettos of the literature in Quebec, where publishers publish primarily Canadian. I had this intense desire to bring the rest of Quebec and Quebec elsewhere. When I got the idea to highlight the short novels and immediately open to world literature, everything fell into place naturally. These two intertwined lines made sense. Since then, eighty-five percent of sales Allusifs are made in France. Even if the history of Allusifs is still young, she already teeming with several lives and the best is yet to come ...

What is your editorial?

The Allusifs publish literary works that open up horizons on the inexhaustible multiplicity of human experiences. Fascinated by the unique voices, larger than oneself, that are reshaping the world to infinity, we developed a catalog of nearly a hundred titles, some sixty authors, more than a dozen languages. The proliferation cultures that characterizes the publisher's Allusifs is maintained, despite all the difficulties and it would be much easier today to indulge in a headlong rush to publish publishing. But the strength of Allusifs can not replace an empty shell of meaning and it takes its energy from the contents of the texts.

Can you tell us about your catalog?

The spirit that animates the Allusifs is a determination to build a catalog that brings together quality, and novelty requirement. Undoubtedly, the literature Allusifs to form a whole and fulfill a desire to publish writers from here and elsewhere with their singularities and inspired a universalization of human culture based on the curiosity of others. Windows wide open on the other hand, our house has also dared to gaze toward the autobiographical writings ( Maya Angelo u) and the side of the illustrated book (with I would not die of Vian, The illustrated adventures Minette Accentievitch and The new Russian alphabet ) and a collection, 3 / 4 fleece. History of gaining experience and raptures. I also authored a policy and I am even though their books are sometimes larger. For example, I bought all the work of Horacio Castellanos Moya (eight titles) and among them are titles that are a greater number of pages. This brings me to publish texts "unfair"!

What's your news?

New ABCs of Russian Katia Metelizza . The author is a journalist in Moscow and she is fascinated by cultural myths of Russia and especially by that of "New Russian." It throws a bridge between the USSR and the post-Soviet Russia without leaning neither one side nor the other. It resurrects the past and draws parallels with the present. It reflects a changing culture in a country that desperately seeks to define its identity. The author has no single answer, no comprehensive formula. It merely describes what she sees, what she saw, what she thinks, through texts which, despite its playful appearance, pose important questions which the whole is a true picture of the new Russian society. Humor is present in every line, yet never free.

What Items May Have Immense Value In 200 Years

The blood of the earth. Romain Verger, Black Forest.

Modernity considering nature as a purely material substance. She is disillusioned, devoid of any mystery, gods and demons were driven out. Nature has been streamlined and reduced to a few mathematical equations: it is merely a reservoir of raw materials in the service of man who simply exploit it.

Entering the Forests of black Romain Verger is enter fully into a singular universe. Romain Verger adopts a pre-scientific perspective, a perspective ancestral animist. As was the case in Big Dipper, the nature, far from being inert, has a soul, and it bustles with energy sometimes positive, often negative: it is a disturbing array, the source of life and death. It feels more as writing Romain Verger, elegant and poetic, emit an odor: it smells of earth and leaves dead and is wet and enjoy nature more than it has disclosed.

The main character of Black Forest is a scientist, a biologist who, away from his university laboratory, has long since forgotten the primal fears of his childhood. He leads a mediocre life, caring for her mother moved in with him since the death of her husband. It is also bland and smooth as sanitized world where even the dead have nothing to worry about. So will he have to remember the strange sensations that seized him when he saw the corpse of his father dressed in his coffin :

"Who was this man stuck to his lips pinched too tightly sewn, hand curled up on her crucifix? He who believed in everything except God. It was the dead Christian, waxy, costume and cravat not to frighten the living. A horrible sham that did not reassure. "

A mission order is unexpected away this modernity artificial University sends his two years in Japan, not in Tokyo or another megalopolis, but Gotenba, a remote village on the edge of the Sea tree Aokigahara Jukai , he must study the vegetation. Sea of Trees is a mysterious forest that even primary satellites can not penetrate. They offer the visitor that the vision of a "coarse patchwork of huge pixels on a dark green blur. " Finally, the equipment needed for his research on site will never be satisfied and the narrator to live there, in the disturbing proximity of the forest:

" Failing to enter - this impressed me by forest its height and density rude - I watched the tops of trees, amused to recognize each species, but it was such a mess of branches and foliage intermingled that I was often puzzled, wondering sometimes if he was not endemic and hybrid varieties. I also gaze swept the sides of the road to try to assess the geological formation. Interesting folds recalled the rash of 864. The forest was born of this lava flow. She drew perhaps his incredible vitality of this substrate magma. "

Surge bowels of the earth where she was cohabiting with hell, this forest emits evil magnetism more than three hundred people commit suicide there every year. His reputation is such that men have ceased to operate for a long time:

"So many loggers had paid with their lives. Most hikers were amazed that it might not and the few that stood out were scarred by the devastation and memories of mutilated corpses that they had encountered. "

In the town where he saw the attraction of the forest is powerful. The only person with whom he was able to bind to (because she speaks English) Hatsu, has lost her husband a few months ago and became his mistress, always seems to live in fear of his return. Natives are also regularly disappear and strange Shintaro, his neighbor, who has two Siamese, spends the day sitting on the doorstep of his house, staring at the forest. The Call of the Wild finally take the narrator who ran through silence with Shintaro. In wards one, reappear Sologne forests of his childhood memories of everything he had tried to forget, especially those concerning Vlad, his schoolmate, his torturer, who will reappear mysteriously intermittently throughout his life to teach him the taste of blood, as was the case during their last meeting, during a hunting party where they confronted the great deer, symbol of life.

Life and death come together in this sea of trees, nightmare in which lurk other nightmares. Romain Verger invites us to go the black forests of our unconscious, populated by ancient fears that lead us to a startling harmony with nature is foreign to us now. The fantastic world of Romain Verger is served by an entry whose sentences seem animated by a life of its own, emerging from each other, like branches of a giant tree.


Note that three news Romain Verger were published in Issue 17 of Face Green. See HERE .

Romain Verger, Black Forest . Quidam. € 12

Illustration: Deer Cave (Rodellar, Spain).

Pinky & Obsession Part Ii

CRAs

We talk, but who are they really? What do they do? How do they work? What is their real influence? To get to the bottom, I did some research results which can be found in this column.




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